![]() ![]() He was with the quartet on its 1958 State Department-sponsored tour that took the group to 14 countries, including Poland, India, Turkey, Afghanistan, Iran and Iraq. Morello recorded more than 60 albums with the quartet, starting with “Jazz Impressions Of The U.S.A.” and “Dave Digs Disney” in 1957. Morello won Downbeat magazine’s best drummer award for five years in a row. In 1956, Morello turned down offers to join the Benny Goodman and Tommy Dorsey bands to go on a temporary tour with Brubeck’s quartet after the pianist promised to feature him more prominently than was typical for jazz drummers at the time.Īt their first concert, Brubeck gave him a drum solo, and Morello ended up staying with the pianist for 12 years. And pretty soon, he was so in demand, and he felt he had to move on.” “When we first started playing together (along with bassist Bill Crow), you could see that Joe was going to be a star because he was terrific in every possible way. ![]() He was a wonderful man, a wonderful drummer, a great educator” said McPartland, who has hosted “Piano Jazz” on National Public Radio for years. He eventually made his way to New York City, where he played with many leading jazz musicians over the years, and first came to prominence for his work as part of pianist Marian McPartland’s Hickory House Trio in the early `50s. Raised in Springfield, Mass., with impaired vision from birth, Morello initially studied the violin before becoming a drummer in his teen years. Brubeck suggested combining two themes that Desmond wrote to create “Take Five,” which became a surprise Top 40 hit on jukeboxes and one of the best-known jazz recordings. The pianist asked Desmond to write a melody in 5/4 time for a tune that would feature a Morello drum solo. ![]() “His drum solo on ‘Take Five’ is still being heard around the world.”īrubeck got the inspiration for “Take Five” after hearing Morello playing a 5/4 beat while warming up backstage before a concert with alto saxophonist Paul Desmond. “Joe was a pioneer in odd time signatures and a vital part of the “Time” series the Quartet made at Columbia Records,” said Brubeck. Morello’s decision to join Brubeck’s quartet in 1956 paved the way for the leader’s experiments in unusual rhythms on a series of groundbreaking “Time” albums in the late `50s and early ’60s that earned popular and critical acclaim. “Drummers worldwide remember Joe as one of the greatest drummers we have known.” “Many people consider the rhythm section of (bassist) Eugene Wright and Joe Morello in my quartet as being one of the most consistent, swinging rhythm sections in jazz,” Brubeck said in a statement e-mailed to The Associated Press. Compare Standard and Premium Digital here.Īny changes made can be done at any time and will become effective at the end of the trial period, allowing you to retain full access for 4 weeks, even if you downgrade or cancel.Dave Brubeck, Jazz Piano Great, Dead at 91 You may also opt to downgrade to Standard Digital, a robust journalistic offering that fulfils many user’s needs. If you’d like to retain your premium access and save 20%, you can opt to pay annually at the end of the trial. If you do nothing, you will be auto-enrolled in our premium digital monthly subscription plan and retain complete access for $69 per month.įor cost savings, you can change your plan at any time online in the “Settings & Account” section. For a full comparison of Standard and Premium Digital, click here.Ĭhange the plan you will roll onto at any time during your trial by visiting the “Settings & Account” section. Premium Digital includes access to our premier business column, Lex, as well as 15 curated newsletters covering key business themes with original, in-depth reporting. Standard Digital includes access to a wealth of global news, analysis and expert opinion. During your trial you will have complete digital access to FT.com with everything in both of our Standard Digital and Premium Digital packages. ![]()
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